STAR-CROSSED ROMANCE – Movie Guide | movie reviews for christians

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STAR-CROSSED ROMANCE is an engaging and fun romantic comedy on UPtv. Piper is a single mother and Denver’s prestigious sportscaster. However, she values ​​independence over herself and her son. Called to her son’s school because he was fighting with a student, she meets the girl’s single father, Erik. Sparks flies over whose child is at fault. The director asks them to pay more attention to their children. He forces them to work together to stage the school play, a Steampunk version of Shakespeare’s ROMEO AND JULIET.

STAR-CROSSED ROMANCE has an exuberant tone, which helps draw viewers into this stereotypical romantic comedy. Managers are both effective in their roles as single parents with unique issues. Their children are likeable and believable. Plus, minor characters provide hilarious cameo performances. STAR-CROSSED ROMANCE has a strong moral worldview. The only disappointing part is that it takes Piper finding out about her boss’ lie about her promotion for her to pay more attention to her son. Additionally, a minor character gives hedonistic and feminist advice. Otherwise, STAR-CROSSED ROMANCE is refreshing and enjoyable to watch.

(BB, H, Ro, Fe, G, A, M):

Dominant worldview and other worldview content/elements:

Strong moral worldview, with some humanist and feminist quirks, as a minor character gives hedonistic and feminist advice on parenting and relationships

Coarse language:

No foul language

Violence:

A high school boy and a girl allegedly fought

Sex:

No sex or sexual immorality scenes, but there is a passionate kiss

Nudity:

NO NUDITY

Alcohol consumption :

It is implied that a man and a woman drink wine

Smoking and/or drug use and abuse:

No smoking or drugs; and,

Miscellaneous Immorality:

The boss cheats on the female lead about getting a promotion.

STAR-CROSSED ROMANCE is an engaging and quite funny romantic comedy airing on UPtv.

Piper, single mother and Denver’s most prestigious sportscaster, prioritizes independence over herself and her son. Called to her son’s school about his fight with a student, she meets the girl’s single father, Erik, and sparks fly over the child who is at fault. Forced by the headmaster to give their children the attention they desperately need, the two are forced to work together to stage the school play, a steampunk reimagining of Shakespeare’s ROMEO AND JULIET. Parents discover each other’s passions, strong competitive tendencies, likes and dislikes during the process of purging their detention. More importantly, however, they begin to learn what their children have been missing and what they have begun to feel for each other.

Can Piper overcome her ego, Erik her overprotectiveness, and reunite for more than just a high school staging of the classic bard play?

STAR-CROSSED ROMANCE has an exuberant tone throughout, which helps draw viewers into this fairly stereotypical romantic comedy. Both the leading lady and gentleman are effective in their roles as single parents with singularly different issues. Plus, their kids are likable and believable, and the minor characters deliver hilarious cameo performances. The only disappointing part of the movie is that it took Piper finding out about her boss’ lie about her promotion for her to be there for her son at the end. It’s a sad catalyst for the final push toward character growth for the story’s female protagonist. At the start of the film, Piper believes that “independence leads to success. Take care of yourself and no one can take that away from you. At the end, she happily sings a different tune, knowing that “what matters most is supporting who we have at home.” That this shift was largely due to her finding out her boss was dragging her on is disappointing, even though such jolts are often necessary to achieve such a paradigm shift. Despite this low blow from the filmmakers, this clean and entertaining romantic comedy is in many ways a breath of fresh air.

STAR-CROSSED ROMANCE has a strong moral with some humanistic take on love and some surprising quirks. The focus on school play accounts for much of the film’s humanist elements, but a strange feminist perspective from Erik’s neighbor Maurice is hard to accept. When advising Erik about his daughter and his relationship with Piper, Maurice, he says, “She (Anya) is 13 years old. One wife, three daughters, I learned my place pretty quickly. All you have to do now is. . . support their choices. Later, he adds: “You take care of all the others. It’s time to take care of yourself. That’s oddly unbiblical advice for a film whose core is clearly steeped in biblical values.

Other than those quirks, STAR-CROSSED ROMANCE is remarkably clean and watchable. There is no violence or sexual content. STAR-CROSSED ROMANCE is a joy to watch, with no major issues or glitches.

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