Bible movie – Holy Bibles http://holy-bibles.org/ Sat, 23 Oct 2021 16:09:06 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://holy-bibles.org/wp-content/uploads/2021/10/cropped-icon-32x32.png Bible movie – Holy Bibles http://holy-bibles.org/ 32 32 New Scientific Study Shows ‘Hereditary’ Scariest Movie Ever https://holy-bibles.org/new-scientific-study-shows-hereditary-scariest-movie-ever/ https://holy-bibles.org/new-scientific-study-shows-hereditary-scariest-movie-ever/#respond Sat, 23 Oct 2021 13:53:50 +0000 https://holy-bibles.org/new-scientific-study-shows-hereditary-scariest-movie-ever/ A new study from GIGACalculator.com has found that, scientifically speaking, Gabriel Byrne’s psychological horror film Hereditary is the scariest movie of all time. The film, which features the Dublin-born actor opposite Toni Collette as a grieving family haunted by a mysterious presence after the death of their secret grandmother, has beaten people like Seen and […]]]>

A new study from GIGACalculator.com has found that, scientifically speaking, Gabriel Byrne’s psychological horror film Hereditary is the scariest movie of all time.

The film, which features the Dublin-born actor opposite Toni Collette as a grieving family haunted by a mysterious presence after the death of their secret grandmother, has beaten people like Seen and The Babadook who came in second and third place respectively.

How can something like this be determined scientifically, you might be thinking? In order to find out which movie is the ultimate fear party, GIGACalculator.com asked 150 volunteers to watch a selection of top horror movies for the first time while wearing heart rate monitors.

The films were selected through a survey of 2,542 “gorehounds” who were asked to rank their top 10 horror films.

Hereditary topped the list as the most thrilling horror film, causing the pulses to soar to an average of 115 BPM – compared to the average resting heart (60 – 100 BPM).

Insidious, a quiet place and Lowering also ranked very high on the list which you can see in full below.

“As humans, there is a wide range of reasons we enjoy watching horror movies,” said Lee Chambers, psychologist and wellness consultant who worked with GIGACalculator.com on the study. . “First, it’s a form of entertainment. Our desire to seek sensations and avoid boredom leads us to a type of movie where something horrible can happen at any moment.

“There is also understanding the limits of our own emotions, from the comfort of our home or our cinema. You can be terrified but still safe, you can even hide behind the couch if that is too much. of emotional regulation is powerful, and it allows us to test our fear and anxiety in a controlled environment. “

(Credit: GIGACalculator.com)


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Mass Effect: what the movie Mass says about grief and forgiveness https://holy-bibles.org/mass-effect-what-the-movie-mass-says-about-grief-and-forgiveness/ https://holy-bibles.org/mass-effect-what-the-movie-mass-says-about-grief-and-forgiveness/#respond Fri, 22 Oct 2021 14:52:55 +0000 https://holy-bibles.org/mass-effect-what-the-movie-mass-says-about-grief-and-forgiveness/ Jason Isaacs, Martha Plimpton, Reed Birney and Ann Dowd in Mass, screenshot courtesy of Bleecker Street Mass, nationwide opening on October 22, is not always easy on the eyes. But then again, few interesting things are easy. Mass takes place almost entirely within the confines of a church – just one room in that church, […]]]>

Jason Isaacs, Martha Plimpton, Reed Birney and Ann Dowd in Mass, screenshot courtesy of Bleecker Street

Mass, nationwide opening on October 22, is not always easy on the eyes. But then again, few interesting things are easy.

Mass takes place almost entirely within the confines of a church – just one room in that church, in fact. Four people spend an afternoon talking about an unimaginable tragedy: Gail and Jay (played by Martha Plimpton and Jason Isaacs) lost their son in a school shooting. Linda and Richard (Ann Dowd and Reed Birney) raised the killer.

The film, directed by first-time director Franz Kranz and distributed by Bleecker Street, takes us through the anger and shame, grief and confusion of the four parents. It’s a master class of empathy, asking us to understand each of these four very different people.

Jay and Gail desperately want Linda and Richard to explain Hayden to them: How was he growing up? When was he wrong? Have they seen? Could they have done more to stop it? Gail and Jay know most of Hayden’s, of course. The media covered the story extensively, as you can imagine. And for years the couple have tried to glean all the information they can get. But they want to hear it again – to learn a little detail, to hear about a little while, it would suddenly make Hayden’s state of mind a little clearer, a little more understandable. For years, they have been asking the same question: Why?

They say they don’t blame Linda and Richard, sure… but they do. And they have company. Linda and Richard blame each other too.

“Why not to talk [at the time]? “said Richard, his normally stony face showing cracks.” Because I had no answer. Why not help prevent this from happening again? Because I don’t know how.

But below that why—why did this boy kill? –there is a deeper, even more upsetting, even more compelling why. Why my boy dies?

From the movie Mass, screenshot courtesy of Bleecker Street

The unbeatable

Mass asks an inherently spiritual question that strikes and hurts deeply if you are a Christian. Despite all the suffering we read in the Bible, most of us think that when we decide to follow Christ, we are signing a contract with God. We will follow You. We will work for you. And in return, you will protect us. You will love us, and this love means you will save us from the terrors of the world. He even has Bible support. “For I know the plans that I have for you, declares the Lord, plans of well-being and not of evil, to give you a future and a hope. “(Jeremiah 29: 11-12)

This scripture weighs heavily in Mass, which takes place in this simple and multifunctional church hall. The meaning of church is everywhere. A church employee busies himself with awkward good intentions. A piano student plays hesitant hymns in the shrine. Even the lay therapist Jay and Gail attend – the one apparently entering the church in question for the first time – wears a black outfit with a white sash draped over his shoulders, much like a priest in dark clothing.

And above the table where the two couples meet, we see a crucifix holding a dying Christ. An assassinated, but whose death had meaning. Can we find such meaning in such a meaningless tragedy?

Finally, Gail addresses the aching, throbbing nerve – the why of all the whys. ” I made a promise [to my son]- a promise I can’t keep! I promised her her life would be meaningful. That it would not be in vain.

We are struck by a renewed knowledge of his youth. As they were all young.

When Gail mourns her lost promise – the promise she made to her son that his life would mean something – Linda gently asks Gail to tell her a story about their boy. About Evan. And Gail does. She cries and smiles and becomes as lively as we have seen her – the memory of Evan filling her again.

And the answer comes, unspoken. Evan’s life meant something.

“Let him rest,” Linda said. “Evan doesn’t have to change the world.”

From the movie Mass, screenshot courtesy of Bleecker Street

Overcoming the past

I was a religious journalist for a daily for a number of years and spoke with many people who suffered unimaginable pain. As a Christian, but sometimes not a very good Christian, I have always found this point of collision between pain and faith fascinating… and confusing. We live our lives in the cup of a loving God, we believe. So why is he allowing such terrible things to happen? Why does he allow them to come to us?

And the question comes back: Why.

God rarely answers such questions. Maybe we could see the answer, if we live long enough. But I don’t think we all see such definite resolutions to our pain in this lifetime.

The Why are still there in our lives, I think. We all suffer from pain, although little of the magnitude we see in Mass. And when that pain is the product of someone else’s decision, born out of pain, anger, or just plain hurt, we want justice. We need it. We are asking for something, anything, to improve it.

It is a good thing, this desire for justice. But in this fallen world, it can be hard to find.

But Jesus showed us that, even without perfect understanding, without perfect righteousness, we can still find a way to move forward: to heal our wounds and move forward. It’s a simple thing, but it is also sometimes incredibly difficult. Forgiveness.

Gail makes a surprising confession towards the end of the movie – that if she forgives Linda and Richard, she would lose Evan again. That she would betray him and his memory.

“But maybe I just needed to be with you because I know now,” Gail said. “I forgive you. I do. I have… And I have to tell you that I also forgive Hayden for what he did… I forgive him because I can’t live this way anymore.

From the movie Mass, screenshot courtesy of Bleecker Street

Let go

In Psalm 147, we are told that God “heals broken hearts and heals their wounds.” It doesn’t happen right away. But when we are all bound by anger and bitterness, I’m not sure that can happen at all. We can hold onto all of our pain so firmly, as if that pain is what keeps us alive. But in the Bible we are told to lay down our burdens. “I’ll give you some rest.”

Sometimes the burden that hurts us the most is the hardest to put down.

Linda wears a cross around her neck, but none of the main participants seem particularly devout, despite where they meet. Jay admits that he is not at all religious and that he can even seem downright hostile to Christianity. He says the Church’s response made him “so angry” and he protests against the church they are meeting in. the effectively Episcopalian establishment.

But by the time the film took its course, something changed. Jay hears the choir practicing in the shrine. He asks, almost in a trance, what he hears. And when someone asks him if the choir should stop, he says no. Tears fill her eyes as she listens.

Evan is still gone. The loss, the pain, the grief is still there. But in this humble room of this humble church, God took away bitter burdens. And those tears, I think, might just water a better tomorrow.


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8 of the nastiest villains in Nazi movies https://holy-bibles.org/8-of-the-nastiest-villains-in-nazi-movies/ https://holy-bibles.org/8-of-the-nastiest-villains-in-nazi-movies/#respond Thu, 21 Oct 2021 14:52:07 +0000 https://holy-bibles.org/8-of-the-nastiest-villains-in-nazi-movies/ The Nazis provided audiences with perfectly hateful villain movies dating back to the late 1930s. They were the go-to villains in the 1980s, and they even managed to play a role in the greatest modern superhero series. The real Nazi atrocities were hard to understand when they came to light at the end of World […]]]>

The Nazis provided audiences with perfectly hateful villain movies dating back to the late 1930s. They were the go-to villains in the 1980s, and they even managed to play a role in the greatest modern superhero series.

The real Nazi atrocities were hard to understand when they came to light at the end of World War II. Movie Nazis are generally less grounded in reality, and their generally recognized evil makes them the villain everyone likes to hate.

Of course, there are some brilliant films featuring brutal, real-life Nazis like Amon Göth in “Schindler’s List”. We’re going to skip those real criminals on this list and stick with the imaginary villains that have fueled some of our favorite movies.

1. Colonel Hans Landa, “Inglourious Basterds” (2009)

No other Nazi takes so much pleasure in his job. Christoph Waltz won the Oscar for Best Supporting Actor for his portrayal of Colonel Hans Landa, a German officer proud to be known as “The Jew Hunter”.

Quentin Tarantino uses the real-life story of WWII as the starting point for a fantastic reimagining of the fall of the Nazi state. There’s a lot of blood and guts, but there’s also QT’s underhand reinterpretation of the facts. His Nazis might be cartoon characters, but they’re still bad.

Of course, Landa is perhaps the most Nazi Nazi of all Nazis, as his Third Reich tenets vanish after an explosion in a movie theater called the outcome of WWII into question. He tries to strike a deal with Lt. Aldo Raine (Brad Pitt) to defect and live his life in luxury on a beach in the good ol ‘United States. Nazzy killer Raine isn’t the type to disobey orders, but he’ll never let Landa get away with it easily, either.

“Inglourious Basterds” has just been released for the first time in 4K UHD with over two hours of bonus content. Some Tarantino fans will say this is his best film and that this enhanced HDR presentation is worth the investment if you’re a fan.

2. Major Arnold Toht, “Raiders of the Lost Ark” (1981)

When Steven Spielberg and George Lucas decided to pay homage to the adventure movie serials they loved growing up, they knew the Nazis would make the best villains and the Bible’s Ark of the Covenant would be an incredible lost artifact. for their hero Indiana Jones (Harrison Ford) to discover.

A large group within the Nazi leadership really believed in all kinds of ancient mystical gibberish, so the idea that they would create a unit to locate legendary artifacts isn’t completely far-fetched. Hitler’s version of this film believes that the ark, which is said to contain the tablets of the Ten Commandments that Moses brought back from Mount Sinai, will make the German army invincible.

Major Arnold Toht (Ronald Lacey) is the Nazi leader in charge of the hunt, ready to kidnap, steal and kill to determine the secret location of the ark in Egypt. He ultimately succeeds but pays the ultimate price that almost all Nazis in cinema have to pay.

The Indiana Jones 4-Movie collection was released in 4K UHD with Dolby Atmos, and the results are spectacular. All four movie bonuses are included on their own Blu-ray disc, and you get 4K digital copies of each title. You can’t buy each movie individually on a 4K disc yet, so you’ll have to wait if you can’t stand having a copy of “Indiana Jones and the Kingdom of the Crystal Skull” in your collection.

3. Dr Christian Szell, “Marathon Man” (1976)

The mid-1970s was only 30 years after the end of World War II, and there were still many living Nazis who escaped prosecution after the conflict. Laurence Olivier plays Dr Christian Szell, a Nazi war criminal whose brother hid a fortune in diamonds in a safe in a New York bank.

Doc Levy (Roy Scheider) is a government agent who worked as a courier for Szell in exchange for Szell providing information that will help track down other Nazis. Once his brother is dead, the Nazi doctor goes mad and aims to kill all his messengers and find the diamonds.

Enter Doc’s brother Babe Levy (Dustin Hoffman). Once Szell arrives at Doc, he decides that Babe must now know the secret location of his diamonds. Babe has no idea and Szell pulls out the dental tools for an extended torture session.

The “Is it safe?” The scene is by far the most terrifying moment of any movie ever made, and Szell makes Michael Myers, Jason Voorhees and the Jigsaw Killer look like the amateurs they are.

4. Major Heinrich Strasser, “Casablanca” (1942)

Rick (Humphrey Bogart) loves Ilsa (Ingrid Bergman), but Ilsa loves her husband Victor Laszlo (Paul Henreid), but maybe more because of his principles than if he makes her knee-weak. Maybe she really loves Rick after all.

Of course, “Casablanca” would only be a dripping romance without the real threat posed by German Major Heinrich Strasser (Conrad Veidt). Strasser is determined to hunt down Laszlo and hold him accountable for all the mean things he said about the Nazis.

“Casablanca” is perhaps the most beloved Hollywood film of all and served as a great morale builder as the Allies began to have real influence at the end of 1942. Strasser was a calm and ruthless killer, a villain that everyone on the home front could understand as a threat to our way of life.

5. Dr Josef Mengele, “The Boys of Brazil” (1978)

The ever-versatile Laurence Olivier is back, this time as Nazi hunter Ezra Lieberman. Gregory Peck plays a fictional version of Nazi scientist Josef Mengele, who was believed to be both dead at the time of the film’s production and also the subject of a global hunt for Nazi war criminals.

The real Mengele was actually living in Brazil at the time, but it was unlikely that he was behind an evil plot to create young Adolf Hitler clones who were raised in circumstances similar to those that helped to feed the German führer.

The experience goes horribly wrong for Mengele, but what can you expect when you set out to raise little Hitlers? Peck hasn’t played the villain too many times in his career, but he’s terrifying as the deluded lab rat in “The Boys from Brazil.”

6. Johann Schmidt, “Captain America: The First Avenger” (2011)

What could be worse than Nazi Germany? Hydra! Johann Schmidt (played by Hugo Weaving from “The Matrix”) directs Hydra, the Marvel Cinematic Universe version of the science division of Nazi Germany during World War II.

Schmidt was actually deformed into a Red Skull by an early formulation of Captain America’s Super Soldier Serum. Once he acquired the Tesseract (which is powered by the Space Stone from the Infinity Stones), he parted ways with the Nazis to establish Hydra as the true force of evil on Earth.

If you find Marvel’s mythology tiring or incomprehensible, just know that “The First Avenger” is the rare movie in the series that makes sense to newcomers, and the Hydra / Nazi crossover is particularly easy to fight.

7. Franz Kindler, “The Stranger” (1946)

Orson Welles needed the money, so he agreed to direct and star in this post-war noir film noir about Franz Kindler, a Nazi war criminal who tried to erase his past. He reinvented himself as Professor Charles Rankin, a teacher at an elite Connecticut prep school, and even managed to get engaged to the daughter of a U.S. Supreme Court justice.

When another Nazi named Meinike shows up in town and urges him to tell the truth about his past, Kindler strangles him. A Mr. Wilson of the United Nations Commission on War Crimes (Edward G. Robinson) tracks Meinike in the small town and is determined to solve the death.

Welles’ Kindler is charming, bold, and terrifying at the same time. “The Stranger” is one of the actor / director’s most underrated images and the only film he directed to be a real box office hit when it was first released.

8. Elsa Schneider, “Indiana Jones and the Last Crusade” (1989)

Elsa Schneider (Alison Doody) may have convinced herself that she was just an Austrian art teacher desperate to find the holy grail, but Indiana Jones knows she is just as Nazi as she is. doesn’t matter who she works for. in the German government.

Elsa first seduces Indy’s father, Henry Jones Sr. (Sean Connery) as she tries to use the old man’s searches to locate the Grail. When Indy shows up, she also goes for him but may actually be in love with him.

Jones Jr. is of course pissed off that he romanticized a Nazi. The villains arrive at the secret Grail location first, but it’s the pure-hearted Jones boys who allow one of them to solve the puzzle and reach the Grail. Elsa, not so pure, eventually meets a fitting Nazi fate.

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Injustice animated film review – a chaotic mess https://holy-bibles.org/injustice-animated-film-review-a-chaotic-mess/ https://holy-bibles.org/injustice-animated-film-review-a-chaotic-mess/#respond Thu, 21 Oct 2021 06:32:52 +0000 https://holy-bibles.org/injustice-animated-film-review-a-chaotic-mess/ Is it a bird? Is it an airplane? No, it’s Emo Superman and he’s taking over the world. So it fits Injustice, DC’s latest animated film to grace home media and it’s wide open for review. Now, I have never read the comic that this movie is based on, but I am aware that it […]]]>

Is it a bird? Is it an airplane? No, it’s Emo Superman and he’s taking over the world. So it fits Injustice, DC’s latest animated film to grace home media and it’s wide open for review.

Now, I have never read the comic that this movie is based on, but I am aware that it is held in high regard. “This first year of the Injustice series completely blew me away. So many philosophical questions have been raised here ”, a surfer on Good reading enthusiastically claims. Well, I can confirm that few philosophical questions are raised in Injustice, the film. However, a question constantly comes to my mind: “WTF”?

The plot is a bit crazy

Batman

It’s a shame that the Injustice animated film has made me ask this question so often since it should made me ask the philosophical questions that Good reading enthusiastic opinion. The story revolves around a heartbroken Superman, who turns radical after the Joker leaves his beautiful girlfriend and future mother Lois Lane. Ol ‘Supes hastily throws “You Won’t Kill” from his superhero bible and begins to gank dictators while confiscating nukes and forcing the world to play by its rules. This splits the Justice League in half and the old allies lock the horns.

On paper, the premise is fascinating ground for intriguing and thought-provoking storytelling. What would have would it happen if the most powerful man in the world stopped obeying human laws and instead made the world live on his own? The problem is with a movie that seems too loaded for its own good. Superman’s dictatorial trajectory is hampered by twists and turns out of left field, unnecessary characters, and terrible resolve.

Do an injustice to the context

Animated film about injustice

Maybe what hurts Injustice the best part is that he tries to tell a good multi-comic story in an hour and eighteen minute film. There are a few deaths in this movie, but we can’t deal with them properly because the movie is moving forward at a rapid pace. The fact that we spend little time connecting with these characters beforehand (due to the movie’s superhero overload) doesn’t help that.

The fast pace also means Injustice leaves a lot of explanations. For example, we’re led to believe that a notable hero dies during the movie only to travel to a celestial afterlife, meet a goddess who gives him a new nickname and the ability to own bodies. In his very limited screen time, he uses this power to help his friends, but I still have no idea who this goddess was and why she gave him these powers. Or indeed, why she has such a bad taste in superhero alias names. One can only assume that’s explained in the comics.

Take a page from Marvel’s book

Wonder woman

Sometimes watching Injustice, you don’t know if you are watching an adult movie or a kids movie. I say this because of the humor of the film. The writers obviously checked out the Marvel Handbook of Mood Whiplash, as it uses a few “jokes” to cut the tension in certain scenes.

I give the example of one of the first scenes of Superman and Batman. After taking out a group of armed thugs, the couple indulge in classic jokes. Bats states that Lois is pregnant and Supes asks how he knows it. The Dark Knight responds that he is shaking, something he has never done when fighting Doomsday. Replica scene cut off at Superman’s shaking (and silly grin) hands. Maybe I’m just Scrooge, but that kind of humor is childish at best and causing moaning.

Another example of this is Harley Quinn. Again, the movie tries to break some stage tension with jokes, but this character only gets in the way. There’s an attempt to make her and Green Arrow something of a comedic duo (Ollie being the straight man, Quinn being the madman) in a way that’s not unlike the mediocre. Batman and harley quinn. It’s a shame because Gillian Jacobs is great at Community and underrated comedy I used to come here. However, the script and direction of the voice is designed to make it as unnecessarily loud and boring as possible. It’s even worse since his character offers little to the actual plot.

Out of the phantom zone

Injustice

As mentioned before, so many twists come out of left field without any configuration. I hope I don’t spoil it too much by saying that a “multiverse” element plays into the story. However, this element is established as a one-to-one conversation between Mr. Terrific and Superman halfway through before coming to prominence again towards the end of the film. This is not the best example of the “Chekhov pistol”.

But at the same time Injustice is a chaotic mess of the ghost zone, there is some good things about it. Some of the animations used in the fight sequences are impressive, with the characters moving gracefully like dancers. It’s a stout reminder that 2D animation still has a lot to offer, recreating the feel of comics in a way that 3D can’t.

Also, speaking of animation, at least kudos can be given for the visual style. The off-putting thick lines of the characters in The man of tomorrow and Along Halloween were dropped in favor of clearer lines and more character detail. I always thought that the visual styles of the aforementioned DC movies made their respective stories appear as well. Archer-y. Hopefully they stay on this road for good.

It’s an injustice

To end this review, there is certainly a lot of injustice here in this animated film, but it’s not entirely in the story. Rather, its presence is more evident in the film’s rushed execution, which does too much for its own good. The end result is a film that appears to be trying to win the Guinness World Record for the most DC characters in a movie, instead of telling a cohesive, engaging story. You’d better leave this one alone and get your superhero animation bindings somewhere else.


Are you a fan of the Injustice comic book and video game? What is your opinion on the film? We would love to hear your thoughts in the comments below!

On an alternate Earth, the Joker tricks Superman into killing Lois Lane, which sends the hero down the path of destruction. Superman decides to take control of Earth and Batman and his allies must try to stop him.

Advantages:

  • Smooth animation in combat sequences
  • Satisfying visual style
  • Some decent voices here and there

The inconvenients:

  • Seems too rushed and overloaded
  • Too many plot holes
  • Too many undeveloped characters
  • Jokes rarely land


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Jake Gyllenhaal’s The Guilty Is Netflix’s Best Movie In 91 Countries https://holy-bibles.org/jake-gyllenhaals-the-guilty-is-netflixs-best-movie-in-91-countries/ https://holy-bibles.org/jake-gyllenhaals-the-guilty-is-netflixs-best-movie-in-91-countries/#respond Mon, 18 Oct 2021 19:48:00 +0000 https://holy-bibles.org/jake-gyllenhaals-the-guilty-is-netflixs-best-movie-in-91-countries/ Jake Gyllenhaal revealed that his latest Netflix movie the guilty won first place in 91 countries. You can see a trailer here: Netflix is ​​known to be pretty low-key about its viewership stats, but it looks like Gyllenhaal wanted to shout it from the rooftops, posting on Instagram to say, “We made this movie in […]]]>

Jake Gyllenhaal revealed that his latest Netflix movie the guilty won first place in 91 countries. You can see a trailer here:

Netflix is ​​known to be pretty low-key about its viewership stats, but it looks like Gyllenhaal wanted to shout it from the rooftops, posting on Instagram to say, “We made this movie in 11 days. You made it number one. one in 91 countries. “

The tense thriller centers on troubled LAPD officer Joe Baylor, who has been demoted to manager in an ongoing investigation into his conduct.

While working, Baylor receives an emergency call from a distressed woman who reveals that she has been abducted, leaving her children in danger.

Baylor is then engaged in a race against time to save the woman. But as more details about adduction are exposed, it becomes clear that he’s dealing with something much bigger than he originally thought.

the guilty, which is based on a 2018 Danish film of the same name, was shot during the coronavirus pandemic in just 11 days.

Alongside Gyllenhaal, the film also stars Ethan Hawke and Paul Dano – who viewers don’t actually see.

It was directed by Antoine Fuqua, who previously worked with Gyllenhaal on left-handed.

The duo had originally planned to film the whole thing in less than a week, with the actor telling MSN Entertainment: “When I first sent the script to Antoine, what I said was, ‘Let’s shoot this film in five days’.

“It really got us excited, the idea that we could shoot the movie in a very short period of time, the pressure would be high, just like the character of Joe Baylor is.

“And if there’s anything I know about Antoine, he likes that pressure, and we both thrive in that space.”

Credit: Netflix

However, despite only having a handful of stars on screen, the film proved to be more difficult to film than originally thought.

Notably because someone Fuqua knew tested positive for Covid-19, which means he must have directed a trailer while watching the action on screens.

Nonetheless, it seems it was worth all the stress with Gyllenhaal revealing the guilty will be seen in 69 million homes in its first four weeks.

the guilty


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The true story of a country music legend https://holy-bibles.org/the-true-story-of-a-country-music-legend/ https://holy-bibles.org/the-true-story-of-a-country-music-legend/#respond Mon, 18 Oct 2021 11:26:15 +0000 https://holy-bibles.org/the-true-story-of-a-country-music-legend/ Throughout Dolly Parton’s rich and prolific career, nothing is adored as much as “Coat of many colors”. It has been a fan favorite since its release in 1971 as the second single from the album of the same name. The Sweet Ballad, which she wrote while traveling with Porter Wagoner on a tour bus and […]]]>

Throughout Dolly Parton’s rich and prolific career, nothing is adored as much as “Coat of many colors”. It has been a fan favorite since its release in 1971 as the second single from the album of the same name.

The Sweet Ballad, which she wrote while traveling with Porter Wagoner on a tour bus and on the back of a dry cleaning receipt, details the childhood of Dolly Parton who grew up in the Great Smoky Mountains of Tennessee. This will give us some insight into the country’s iconic poor education, but the love of her family was more than enough to make her feel as rich as she could be.

RELATED: Top 10 Dolly Parton Songs You Must Listen To

The centerpiece of the song is a coat that her mother, Avie Lee, sewed from different rags. Avie Lee compared her daughter’s coat to Joseph’s in the Bible. This is how she ended up calling it “coat of many colors”.

In 2015, Dolly’s cherished “multi-colored coat” was brought to life in a dramatic film made for television. Written by Pamela K. Long, the film centers on the talented nine-year-old Dolly, played by child actress Alyvia Alyn Lind. It gives viewers more than a glimpse into the countryside queen’s childhood, but also her upbringing in a family of twelve. It accurately describes their struggles, faith and love, and how Dolly managed to pursue her passion for music – thanks to the endless support of her parents.

Dolly produced the TV movie and approved the casting herself. Besides Alyvia Alyn Lind, the cast includes Ricky Schroder, Jennifer Nettles as well as Dolly’s sister, Stella Parton. Dolly also served as the narrator.

Coat of Many Colors premiered on NBC on December 10, 2015. And like most of Dolly Parton’s films, it has only expanded the country icon’s remarkable legacy by breaking records and even leading to creating an equally well-received sequel, Christmas of Many Colors, which came out a year later.

Watch the trailer below and get inspired by the real life story of the Queen of the land.